Author: Sandra Gilch

  • From Galway along the Wild Atlantic Way

    From Galway along the Wild Atlantic Way

    Rediscovering culture in nature, and nature in culture

    I look outside the window. The green landscape is running away from me. With my gaze I am chasing the green fields and trees from the train. This feels like the road to something new, not only physically. I try to capture the cow cattle to send to my father (who is a cow farmer) – but the train moves too fast. My photos are turning out blurry, so I decide to simply look out the window and follow the scenery with my eyes. 

    Seamus Heaney writes in his poem Postscript about the beautiful details in nature in the County Clare, Galway, which I would explore in the following days.

    And some time make the time to drive out west
    Into County Clare, along the Flaggy Shore,
    In September or October, when the wind
    And the light are working off each other…

    from ‘Postscript”, Seamus Heaney

    Making Galway my home away from home

    I was on the train from Dublin to Galway and I realized that I didn’t plan anything for the nine days that awaited me on the west coast of Ireland. I only knew where I would stay at and that was all. This journey will prove me the magic of living from one moment to the other.

    The first evening, I took a little walk. I sat beside the water at the Shannon bridge to watch the sunset. To watch the sunset and to admire the swans passing through the reflections of the sun in the water. I assumed that right there was the beginning of the Atlantic Ocean. I wasn’t sure. At least, it was the beginning of the Wild Atlantic Way. 

    On the West coast of the beautiful island of Ireland, nature lovers can discover many impressing hiking treks alongside cliffs of high altitude. Around a 1.5 half hour bus drive south of Galway, there is the most famous of the Irish cliffs: The Cliffs of Moher. Heading to the cliffs from Galway, your drive will take you either through the uniquely stoney land of the Burren or the magical Wild Atlantic Way alongside the ocean. I decided to start my 9-days-trip with ticking off my list already the must-do no.1. That day, our bus driver drew a circle on the map. 

    Driving through the region of the Burren, we were in the middle of landscapes full of stones and stones. To see it from close, we stopped at one of Ireland’s most iconic archaeological monuments, situated on the high Burren limestone plateau: the 5800-year-old Poulnabrone Dolmen. It is surrounded by the Flacio-Karst landscape which is the result of glacial activity and rainwater dissolution features. It counts as a portal tomb. That means it consists of two large portal stones standing on either side of an entrance capped with a massive sloping capstone. At some unknown time in the past, another stone of the tomb collapsed. It now lies on the ground at the rear of the monument. 

    I was so amazed by the landscapes of the Burren and the view from the bus, that I almost forgot that the highlight of the day was just about to come. It was cloudy and rainy that day. However, arriving at our destination, it luckily seemed to stop raining for a bit. Gone with the wind, we all headed west from the bus stop and soon we reached the edge of the cliffs. As it was still foggy, we weren’t able to see the whole length of the cliffs of 12.8 kilometres. We were amazed out of our wits about the view from 214 metres above the Atlantic Ocean. Due to the weather conditions, it wasn’t possible to see the cliffs from a boat that day. But still, none could get enough from the view over the cliffs. From the past O’Brien’s tower, you can get close with the edges of the cliffs. They even appeared in a Harry Potter movie, serving as the location for the scene where Harry and Dumbledore visit a cave by the sea to find one of Voldemort’s horcruxes. Also, they were part of the movie classic The Princess Bride. A walk along the edge of Ireland lets you take in the beautiful, rugged coastline and Atlantic Ocean views. 

    The Cliffs of Moher have developed to a meaningful tourist attraction delivering unique impressions for all our senses. During the time of their formation between 313 and 326 million years ago, a river dumped sand, silt and clay into an ancient marine basin. Over millions of years, the sediments collecting at the mouth of this ancient delta were compacted and lithified into the sedimentary strata preserved in the now-exposed cliffs. 

    All along the blue

    Heading back to Galway, our authentic Irish bus driver took us right along the Wild Atlantic Way. He had grown up there himself and has always enjoyed to go out to the beach and watch the waves, when he had been a child himself and now together with his children. While we were driving, I was listening on repeat to All along the Wild Atlantic Way (2016) by Aoife Scott. The song captures the magic and romantic feelings the landscapes of Ireland evoke, in a quite nostalgic way. It’s about meaningful memories from the past and how the singer cannot wait to relive those experiences.

    When will you bring me, my love
    I’m counting down the days,
    When will you bring me, my love
    All along The Wild Atlantic Way

    I’m 60 years in Nova Scotia,
    Waiting for the day,
    The day that we’re returning homeward,
    All along The Wild Atlantic Way

    When will you bring me, my love
    I’m counting down the days,
    When will you bring me, my love
    All along The Wild Atlantic Way

    Remember when we went to Bunbeg
    The shipwreck in the bay,
    We sat and watched the north west sunset,
    All along The Wild Atlantic Way

    The time we climbed Croagh Patrick,
    And nearly went astray,
    Our legs were aching, falling off us,
    All along The Wild Atlantic Way

    When will you bring me, my love
    I’m counting down the days,
    When will you bring me, my love
    All along The Wild Atlantic Way

    The time that we went skinny dippin’
    Down in Derrynea,
    Smelling Galway’s salted ocean
    All along The Wild Atlantic Way

    The day that we heard Willie Clancy,
    Piping in Malbay
    We sang and danced til the early morning,
    All along The Wild Atlantic Way

    When will you bring me, my love
    I’m counting down the days,
    When will you bring me, my love
    All along The Wild Atlantic Way

    I’d watch you catch the fish near Dingle,
    As currachs rowed away,
    I’d wait for you with the half-light gloaming,
    All along The Wild Atlantic Way

    Cycling back from The Black Ball Head,
    Skin salty from the spray
    The ocean looming out beyond us,
    All along The Wild Atlantic Way

    from ‘All along the Wild Atlantic Way’, Aoife Scott

    Having been soaked into the song, I got surprised by the sudden stop our driver makes. In the middle of nowhere, he parked the bus. It was in the middle of nowhere and at the same time in the middle of everything. All I could see was blue. The sky and the ocean. Oh, and then there were the grey rocks that prevented the people from running into the waves but forced them to take every step very consciously. The bus driver himself sat on the rocks right next to the road. Taking care of the bus, I guess. Or maybe it was just his favourite rock to sit on.

    What remains from a fire?

    The next morning, I got thirsty of discovering the nature outside the town. Next to the River Corrib, which is the shortest river of Europe, you will not only find rich flora and fauna but also meaningful history. By foot, the castle I wanted to visit was an hour away from my hostel. As I had nothing else planned that day and the sun shone brightly on the sky, I decided to take a walk there. It would lead me along narrow roads, through wide landscapes, fields with horses and small villages. 

    The magnificent ruin of the Menlo Castle sits in a scenic location on the banks of the River Corrib. The well-known local landmark is hidden from any streets, surrounded by forest, the riverside walk following the old Galway to Clifden railway line, and a university on the other side of the river. This sounds like an imagined movie setting, but it is real.

    The history of the castle goes back into the 16th century. It was home to the Blake family who lived there from 1600 to 1910. As the richest family in Galway in 1592 they owned extensive property in the counties of Mayo, Clare and Galway. During their time at Menlo Castle the Blakes invited villagers to the grounds of the castle for the ‘Maying in Menlo’ festival. In the late 17th century, the family added a Jacobean mansion to the old tower house. The family castle’s history culminates in a tragedy: on the night of July 26 in 1910, while Lord Valentine and Lady Blake were in Dublin, a fire engulfed the castle. It took the lives of their invalid daughter, Miss Eleanor, and two maids. The building was gutted and all contents destroyed. Only the ivy-covered walls, that can still be seen today, were left standing. 

    When I reached the castle, I was amazed by the wonderful plants growing around the walls of the building. I could walk inside the ruin without any problem. I took some stairs upwards to sit on a stone which seemed to have been a window once. My feet needed a rest. Barely a second passed by without me feeling the wind blowing through my hair. And it felt magnificent – refreshing, liberating. I felt the wind in my hair and the cold stones I sat on, I heard the river floating and the birds singing in canon. 

    Sheepy hills

    After having discovered the Burren region south of Galway as well as the closer surroundings of the city, it’s time for a bus discovery ride to the landscapes north of Galway. Those are determined by beautiful green hills, lakes in between, and impressing castles and abbeys along the road every now and then. I took again one of the offered bus trips by Galway Tour Company, which started right in front of my hostel. We made our first photo stop in the stunning Inagh Valley. The valleys of Connemara are broad and long, adding this unbelievable spark of infinity to your view. 

    Arriving in Cong Village, located in the heart of Ireland’s Lake District, you can go for a little walk, greet donkeys and feed ducks on the way. Meanwhile you breath in the fresh air created by a harmony of the river and the trees in the Cong Woods – one of Ireland’s largest native forests. If you know the classical movie ‘The Quiet Man’ you may also be familiar with the ruins of Cong Abbey. Its ruins and other parts of the Cong Village served as a backdrop for the 1952 movie by John Ford. The Augustinian Abbey dates back to the early 12th century and is one of the best examples of medieval ecclesiastical architecture in Ireland. 

    We drove on to Kylemore Abbey which is known as Ireland’s most romantic castle. You can either visit the neo-Gothic castle and the Victorian gardens from inside or just enjoy the stunning view, which I did. I sat next to the magnificent lake which draws the Kilmore Abbey into the green and hilly scenery. Sitting there and eating my pizza I bought at the little kiosk, I watched children playing and people walking towards the castle and back to their cars. If that’s how life can be, I never want to die. I want to feel forever this infinite peace, this tranquillity of nature bonded with the warmth of people enjoying history and culture.

    Leaving Kylemore, we travelled north to the breathtaking Killary Harbour, which is Ireland’s only fjord. Taking in the sights of the magnificent sunken valley we saw just a glimpse of the 16-kilometre-long and 45-metres-deep fjord. We set off through the wild valleys of north Connemara, a region called Joyce Country, named after the old Irish clan that once ruled it. Here we stopped at the shores of Lough Na Fooey, another glacial lake surrounded by hills. The moment I entered this scenery, I felt magic inside and outside of me. I will remember this as my magic moment of the whole trip. 

    All travellers got off the bus, finding their way through the tiny hills to the lake. Sheep were raging around; far and wide I couldn’t see any fence marking their territory. So, maybe their territory is everywhere? The whole country? I only saw green and reflections of the green in the lake. If heaven was a place on earth, it would be right there. I didn’t dare to get too close to the pretty animals. Also, the bus driver didn’t want to bother them any longer. We continued our drive back to Galway, on that early misty evening of August.

    Silverstrand in Golden Sunlight

    A film scene: A young woman sits on a rock at the edge of the beach, away from the main action, reading a book. In the sea, a girl and her mother try to deal with the cold of the water but only manage to do so to a very limited extent. The girl also tries everything to get their dog Taylor to swim with them, but he prefers to explore the surroundings and runs to the woman on the rock. From a distance, the two call out his name and try to lure him with “treaty”. But Taylor is more interested in the stranger’s bag. He lets himself be stroked briefly and goes back into the water. Now an old man with a beard and a walking stick comes walking from afar. The mother quickly runs out of the water to keep her dog from running to the man. 

    Who was that woman sitting on the rock? It was me. Sitting there, I thought to myself that this right there was the most beautiful place I’ve been to in my life until then. I remember how I closed my eyes to manifest that I will come back there one day and show this miracle of a place to my children I may have in the future. It’s a place where the peacefulness of this earth meet the peacefulness of mankind. 

    When you’re lucky enough to travel Ireland in summer and even luckier to be blessed with sun during your trip, you shouldn’t miss Silverstrand Beach, which is only a 30-minute bus ride away from Galway centre. Sand and soft stones will pamper your feet. Stepping into the ocean you will be amazed by the crystal-clear water of the Atlantic. The sun will set in the direction where the green fields meet the ocean. In the opposite direction, there is a great rock jutting out into the ocean. Thanks to the rain, Irish beaches are other than mediterranean ones surrounded by green. You can choose between grass, sand and stones to lay on. The waves are sometimes stronger, sometimes weaker. But no matter how loudly they move, it always looks and sounds wonderful when they hit the rocks on the shore. The wind may carry you into the illusion of the sun being not strong enough to burn your skin. 

    However, as soon as the sun set, I recognized how my face has been burnt during the day. The sunburn faded after some days – the memories of that day will last forever.

    From history to present

    Coming back to Galway in the evening you will get the feeling of returning home. The town gives everyone the sense of belonging and sparkles of kind and beautiful people. You may come across more tourists than residents: the city counts around 85 thousand inhabitants and attracts over 2.7 million tourists a year (out of which 1 million are Irish travellers). A famous attraction for them is the Galway City Museum, which teaches us that tradition does not mean preserving ashes but keeping the flame alight. It’s a place where Irish culture tells stories through words and objects. The collections comprise an overview of Galway’s history including the backgrounds of the conflicts with Great Britain in the beginning of the 20th century. In 1913, Ireland was part of the United Kingdom, ruled from London. Huge changes were happening in the following decade: The Easter Rising of 1916, the War of Independence (1919-1921) and the Civil War (1922-1923) resulted in twenty-six of the thirty-two counties of Ireland becoming independent, known today as the Irish Free State. The complex backgrounds of these conflicts must be understood. Thus, the museum’s mission is “to be a centre of learning, inspiration, engagement & enrichment for all our visitors by collecting, preserving & displaying the material heritage of Galway.” 

    The Irish history has been determined by intense political changes which might also evoke personal ones. In the poem The Wayfarer (1916) one of the Irish revolutionary leaders Patrick Pearse reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change.

    The beauty of the world hath made me sad,

    This beauty that will pass;

    Sometimes my heart hath shaken with great joy

    To see a leaping squirrel in a tree,

    Or a red lady-bird upon a stalk,

    Or little rabbits in a field at evening,

    Lit by a slanting sun,

    Or some green hill where shadows drifted by

    Some quiet hill where mountainy man hath sown

    And soon would reap; near to the gate of Heaven;

    Or children with bare feet upon the sands

    Of some ebbed sea, or playing on the streets

    Of little towns in Connacht,

    Things young and happy.

    And then my heart hath told me:

    These will pass,

    Will pass and change, will die and be no more,

    Things bright and green, things young and happy;

    And I have gone upon my way

    Sorrowful.


    Pearse wrote these lines shortly before his execution, seeking to come to terms with his impending death. Things will pass and change, will die and be no more not only fits to the transience of things in nature and also to us human beings. What we can do is to be aware of the changes, to make use of every moment and to memorize history in a proper way. There are no places that carry more history and memory – not even museums – than cemeteries. Walking through Galway, I discovered the Bohemore Cemetery. I entered it with no expectation. The way the graves were decorated with flowers and quotes moved me and made me cry. I didn’t know any of the dead personally. However, looking at the graves I realized what of a loving people the Irish are.

    Galway city strolls

    The Roman-Catholic cathedral in the centre of Galway is a prominent landmark on the city skyline. The cathedral dome measures a height of 44.2 metres. Built between 1958 and 1965, entirely out of local limestone, it was officially named the Cathedral of Our Lady Assumed into Heaven and St Nicholas. The entrance to the cathedral is free to the public. When I entered, I fell in love with the architecture of the dome and the pillars, which reflect a Renaissance style. Other features, including the rose windows and mosaics, echo the broad tradition of Christian art.

    Strolling around the Eyre Square in the centre of Galway, you may end up sitting on a bench next to Patrick Joseph Conroy, the most important Irish-language writer of his generation, who was later known as Pádraic Ó Conaire. Or at least, you can sit next to a bronze replica of Ó Conaire’s memorial state. The memorial state was built after his death in 1928 by Dublin sculptor Albert Power, initiated by Gaelic League. The original statue was in the Eyre Square of Galway from 1935 to 1999. For safety reasons, it has been moved to the Galway City Museum. Since 2017 a bronze replica of the original statue can be found at the same spot the original once was, making sure to remember Ó Conaire with dignity. 

    Ó Conaire’s works are originally written in Irish language. Irish, also known as Gaelic, is one of the oldest written and historical languages in the world. It was seen for the first time in Ogham form in the fifth century. During Christian era, Irish was spreading through Scotland, the west coast of Britain and the Isle of Mann. Although it was significantly suppressed by the modern British English, Gaelic can be found in up to 4,500 books, on television, radio, newspapers, magazines and on the internet. Even until today, it is the language of the community in Gaeltacht regions: Ulster in the North, Connacht in the middle and Munster in the South of the Irish West coast. 

    Béal an Uaignis is the original title of a poignant short story written in Irish by Pádraic Ó Conaire; translated into English it means The Mouth of Loneliness. It’s about a character finding solace in listening to music – possibly traditional or natural sounds in the countryside – emphasizing how the Irish landscape nurtures and echoes inner emotions.

    Drochmhargadh a bhí ann cinnte agus is muide atá thíos leis, an gadaí bradach. Dhún mé na súile. D’fhan mé gan cor a chur díom ag éisteacht leis an gceol aoibhinn sin agus ag iarraidh a dhéanamh amach cén fáth gur bhronn Dia a leithéid de bhinneas ar chlanna na n-eite agus na ngob agus d’fhág sé an chlann daonna mar atáid.

    It was certainly a bad bargain – and I’m the one caught by it, a sneaky thief. I closed my eyes. I remained perfectly still, listening to that lovely music and trying to figure out why God would bestow such sweetness on the tribes of birds and wildlife, and leave the human clan as we are.

    Evolving

    Not far from the statue, there is another, more recent artwork being presented open to the public: A colourful butterfly at a door out of wood, painted by street artist Kelsey Montague. On Instagram, she captions the artwork with the J.K. Rowling quote that inspired her: “It’s important to remember that we all have magic inside us”. Standing in front of this butterfly, in between its wings, one will certainly feel the magic rising inside of them.

    Being framed by the Eyre Square on one side and the Spanish Arch on the other, the Latin Quarter of Galway offers a rich and vivid mixture of shopping, food and relaxation. It is here where street artists meet local students and tourists from over the world. Also, a loyal companion are the seagulls of Galway who – like pigeons in other cities – are not afraid to peck at a few bites of our food. Especially near the River Corrib you won’t have to search for them, but the seagulls are searching for you. You should also make sure to check out the view over the skyline of Galway from the other side of the river, the Salthill quarter.

    Reflecting about my alone-spent days in beautiful Ireland I recognized the different periods within it and how I enjoyed each of them: Walking through the town sprinkled from rain, admiring magnificent landscapes from the bus or strolling through a museum. The trip also proofed me how the magic of cities differs from the indefinite magic of nature; however, we humans need both to be fulfilled. William Butler Yeats, who is known to be the greatest poet of Ireland, once realized during his stay in the big city of London, that it is the tranquil nature where he will find peace forever. He comes to a shop window, drawn by the sound there of water splashing. Looking in, he saw a fountain on display, its upward spray buoying up a ball. This sound of water evoked memories inside of him. Reflecting about his longing for tranquillity, he writes down his enlightening in the poem The Lake Isle of Innisfree. 

    I will arise and go now, and go to Innisfree,
    And a small cabin build there, of clay and wattles made;
    Nine bean rows will I have there, a hive for the honey bee,
    And live alone in the bee-loud glade.

    And I shall have some peace there, for peace comes dropping slow,
    Dropping from the veils of the morning to where the cricket sings;
    There midnight’s all a glimmer, and noon a purple glow,
    And evening full of the linnet’s wings.

    I will arise and go now, for always night and day
    I hear lake water lapping with low sounds by the shore;
    While I stand on the roadway, or on the pavements grey,
    I hear it in the deep heart’s core.

    from ‘The Lake Isle of Innisfree’, Wiliam Butler Yeats

    The poem has become an emblematic of Irish poetry and the Celtic Revival. Since 2014, its opening lines are even being featured on page 22 of Irish passports. 

  • Experiencing miracles in Altea, Costa Blanca, Spain

    Experiencing miracles in Altea, Costa Blanca, Spain

    Is this an artwork or reality?

    The sound of the waves hitting against the pebbles is waking me up from my little nap in the morning sun. I can barely open my eyes, with the bright sunrays shining on them, and my back aches from the hard stones beneath me. I don’t even know for how long I’ve been sleeping here at the beach. Maybe an hour? I’ve been drawn into the calmness of this place. I see a girl meditating very close to the water, another woman practicing sun salutations, and over there, a father teaching his children how to skip stones across the sea, watching them bounce again and again. It makes me smile – I used to play that with my dad when I was little, too. 

    Inner peace and happiness seem to be what all those people have in common. There is this special energy that both radiates from and attracts people to the little town Altea on Spain’s Costa Blanca. “Somewhere between Valencia and Alicante” you might say to someone who doesn’t know where Altea is. This Somewhere is so much more than another coastal town! Many English or Dutch people come to spend their winters or even move here permanently. The old town, with its characteristic white houses, has been an inspiration for many artists, whether in literature or visual arts. Let’s have a look – or rather, a walk – through the small town of Altea. 

    The sea, the architecture & the culture make Altea so worth living

    We start at the beach, where the Mediterranean waves gently lap against the stones. In Altea you won’t find any sand at the beach. The main reason for this is to keep away the big tourist crowds, and it works well. Alongside the beach promenade there are lots of great restaurants and cafés. But believe it or not, the oldtown offers an even more romantic atmosphere than the promenade. So, let’s go up there, to the Casco Antiguo de Altea. We take the path alongside Plaza de Convent, and of course, we need some energy boost before climbing the stairs. For all coffee lovers: Café Plant Shack is your place to go. They have organic beans from D’Origen Coffee Roastery, and the friendly waitresses are from England and Argentina. Altea brings together free spirits from all over the world! Just as in the Boutique Bohemia Life next door which perfectly complements Altea’s Mediterranean vibe. The shop is owned by Lynn and Jan, two English women with a passion for fashion.

    Exploring Altea on different levels

    Once you go up the stairs to the old town, every time you look back, you will be amazed by an even more breathtaking view than before. The sea and the sky blend into a perfect harmony of blue hues. A gentle sea breeze brushes against my skin. Oh, how I love breathing in the fresh Mediterranean air. I used to say that the blue of the sky was my favorite color, but I’ve come to realize that I love the color of the sea reflecting the clear blue sky even more. 

    After strolling around the oldtown, perhaps stepping into some charming shops and admiring the view from different angles, you might start feeling hungry. I highly recommend the restaurant La Fornera, an Italian restaurant offering both small and large dishes. Their bruschetta is delicious, and the view from the terrace is as beautiful as a painting – locals would call it “maravilloso”. With the mountains in the background, it’s also a perfect spot to watch the sunset. And if, like me, you end up in the mood for something sweet, head over to Qvo Helado Artesano. Their homemade ice cream flavors change daily. With my pistachio ice cream in hand, I take a different route back down to the beach, passing by the iconic church of Altea. The setting sun bathes the beautiful buildings in golden light. Outside of the restaurants you can see and hear people chatting and laughing. Walking downwards, I enjoy the tranquility in the small and twisted roads.

    Altea invites us for finding peace

    Arriving just in time for today’s Yin Yoga class at Qi-Yoga Centre, right next to the beach promenade, I decide on a whim to join. My favorite moment of the day is returning to the beach after my yoga session. I feel the powerful energy in my heart I gained from the day – the warmth of the sun, the endless blue sky, the delicious food, and the awakening of my body and spirit through yoga. At night, the waves look different. They are black. Only the moon’s reflection adds a glimpse of color to the darkness. I close my eyes and let myself be carried away by the returning sounds of the waves. Oh, if only I could freeze this moment…

  • Franz Kafka Museum – Prague

    Franz Kafka Museum – Prague

    FULL ARTICLE COMING SOON.

  • Can Framis Museum – Barcelona

    Can Framis Museum – Barcelona

    FULL ARTICLE COMING SOON.

  • Czech Museum of Music – Prague

    Czech Museum of Music – Prague

    The experience starts on the street: windows full of musical notes and scores mark the way to the entrance of the Czech Museum of Music (CMM), one of the specialized autonomous institutes of the National Museum of Prague. Located in a 17th century Baroque church, the museum benefits from an impressive architecture, both externally and internally. In the vast entry hall, a piano invites visitors to play and occasionally serves as the focal point for small concerts. Classical music echoes throughout the space. Together, these elements make the visit unique from the very moment visitors step inside the building.

    Due to renovation works on the dome lantern of the Baroque church, the museum will remain closed until the end of the year. At the beginning of 2027, it will reopen in a new light, with a new temporary exhibition on the ground floor.

  • AWARE live in Prague: an improvised creation of sound spheres

    AWARE live in Prague: an improvised creation of sound spheres

    Consciously unconscious

    Heart takes flight; The Water Poem; To Become Born. These are songs that may evoke already some sparks in our souls by only hearing their titles. If you let it happen, their sounds will make you dance from inside. AWARE is the music duo behind these poetic, spiritual music themes – going to one of their live shows may even make you dance from outside.

    The duo is formed by Matias de Via and Bogdan Djukic, who has a background in classical music and a deep affinity for folkloric music. I visit their concert in Prague, in the Cultural Centre Domovina. The venue is perfect for this occasion, as its high ceilings bring along amazing acoustic conditions.  

    Their band name is an Akronym, the letters stand for Ancient – Wisdom – Aquiliant – Resonnant – Equilibrium. And there are probably no words that describe them better.

    What’s happening Backstage?

    AWARE organized the concert in collaboration with Sacred Chants by Luna. I met her for lunch on the day of the concert to talk about her work as a concert organizer.

    Exploring Souls (S): In general you focus on spiritual music, right? 

    Luna (L): Conscious music. 

    S: Conscious music you call it, okay. And why did you choose this? What do you like about that type of music? 

    L: I listen to that music so much. I mean, I have a big range of music that I listen to before. I don’t listen to music anymore. It’s not about listening for me anymore. I enjoy the concert, then I don’t need to listen to them again.

    S: Then on the concerts, how do you find the artists? Will you contact them? Do you think Aware would be a nice artist?

    L: I do it already for 13 years here. So they usually contact me. But also if I really want somebody, like I really feel that this artist is going to do something, then I contact them.

    S: And is there a competition in this? 

    L: No. It’s not profitable, so people don’t want to do it. 

    S: How many concerts do you think have you organized in total? 

    L: Facebook is showing me sometimes. How many events, I don’t know, 300 maybe, like a march.

    S: Are there some that you really remember? 

    L: I mean, I remember all of them somehow. I have this access to all of them because everything is different. And mostly there are friends of mine already, we’re like in a more closer relationship because we do it many times or I meet them in different places.

    S: Can you name things that make a concert a good concert? When can you say like at the end of the evening this was a good concert?

    L: All concerts are good, I think. The sound is important for me very much. And also it’s important who it is. What kind of relationship I have with this music. Because sometimes happens that if somebody like writing me, oh let’s do concert.

    S: And do you have sometimes contact with the people, the audience that are coming?

    L: Yeah, I know many. Yeah, I know many friends of mine.

    S: And I was also wondering when a concert is organized, then sometimes there are mostly there are support acts before. Do you also organize them or could they come in touch with the audience?

    L: Well, it’s usually friends also. Friends that I want to support from here most of them

    I remember the one at Alex’s concert Eniesa – She was so good.

    L: She is from Slovakia. She is very professional musician but not so known. She is more known in Slovakia I like her very much.

    S: Will there be someone playing tonight before AWARE?

    L: No, no, no, not today. Because they play for like two and a half hours at least. It’s a long concert. It’s a journey.

    S: It’s more like a sitting concert, right? Yeah. Like they’re in the middle and…

    L: They’re in the middle, yeah.

    S: And the setlist, they are making themselves…

    L: They don’t have a setlist- they are making this is more like improvisation the whole time. Because what they say is what you hear on the 45 is one thing but when they play you never know where it will take them so they don’t have like okay now and it’s just the whole journey

    S: i saw it a bit in the youtube videos there is no like song, song, song, it’s all kind of, you know, with energy.

    L: We had dinner with them yesterday, we spent some time. And yeah, we talk and talk and talk, and hear how it’s actually created. It’s amazing how they create. They are both really good musicians.

    S: Are there any artists that you would like to organize a concert for here? 

    L: I am already planning things for next autumn. At least one year for most of them. Especially when it is bigger concerts.

    S: So when you organize a concert, is it so very easy to say that you have a deal with this band and then you are the one responsible for location and marketing? Isn’t it a lot of work? Let’s say there is only one concert, how much do you put in? 

    L: Yes, it’s a lot of work. Sometimes I get nothing from this or even I lose. 

    S: Really?

    L: You don’t know how many people will come. So, yeah. And especially that I’m doing it so long so everybody knows. It’s not like I’m new and I don’t know how to promote. It’s just because the Czech Republic is like this now. It was better before COVID. And until last day I don’t know how it will turn. Like yesterday, two days ago it was half of the tickets sold. So now it’s half more. But still we are not reaching the numbers that we need. Sometimes it happens, it’s the thing, you know. But I think they brought the food now for the band so I have to go.

    S: Alright, thank you for the conversation. See you later at the concert!

    Entering AWARE’s sound spheres

    I arrive early at the concert venue, and I see the hall slowly filling up with people. A lot of them are couples, as I can tell. Some are also just enjoying a show on their own. When I see the stage in the middle of the hall, it makes me think of how much love to the detail Luna has put in it: candles, plants and warm lights frame the two stools and instruments prepared for AWARE.

    Conscious music echoes through the speakers and prepares the concert visitors for a night of magical sounds. I take a seat on one of the chairs arranged close to the wall from where I can observe and feel the people’s energies around me. Most of them get comfortable on the floor – with blankets, pillows or yoga mats they brought. It’s like everyone’s creating their own little living room, and within the hall, they all melt together to one. I see Luna walking around the venue, completing the details of the event with love.

    The musicians come from the front to the middle of the hall. As they take seat, the image of the stage seems complete. Bogdan holds a violine in his arms, he holds it like a guitar. When he plays the first strings, I can see the energy of the sounds flow through his body. He circles the head with him, moves his legs and stretches the neck. He can barely keep himself seated.

    Some claps appear among the still seated audience. Some people get up and slowly start dancing. The more people get up, the more seated people get animated to unite themselves with the dancers. As Bogdan rises his hands with the rise of the sounds, almost everyone in the room is standing. Everyone is moving. A man in front of me lies on the ground and moves his shoulders in the beats of the magic music created by AWARE.

    Bogdan shouts ecstatically – “HEJ!!” – loud claps.

    Matias takes on the word and thanks everyone for being there on their very first concert show in Prague. “Are you good at singing?”, he asks into the room. Everyone’s going crazy – it seems to be the common way of proofing how good they can sing. Then, they slowly find back to silence. Matias teaches them to sing Lalala – “do it again” – Lalala. 

    Meanwhile, a couple dances on the front stage. While I watch them, I get slowly carried into their world. Up there, they are celebrating their love for each other. Their moves are energetic and fit perfectly to the rhythms created by AWARE.

    The beat gets louder and faster.

    Some sounds later, Matias announces the next song they would play. Normally, he says, they don’t play their recorded songs on live shows. They prefer to fully improvise and thereby dive into the beats. When they play the first chords of the song, which is one of the first they recorded together, they have all my attention and amazement. “Heart takes flight” lets my heart fly away.

  • Alex Serra in Barcelona: miracles on stage with the Space Crew

    Alex Serra in Barcelona: miracles on stage with the Space Crew

    ‘Dub is the Way’ Tour

    If it might feel different to experience Alex live for the second time after the show in Prague, I wondered. To experience him playing in his hometown Barcelona, speaking Spanish. Yes, it felt different. The crowd at Sala Razzmatazz was so powerful – it made the artists on stage carry out all the magic and creative energy they had saved before.

    The stage is decorated with roses – it’s the Sant Jordi week in Barcelona. Love is in the air. Love is everywhere. May you ever forget that, you should go on a concert by Alex Serra. He will remind you with the beats of his songs and their lyrics and with the wise words and anecdotes in between the performances of the beauty and the loveliness of life.

    The concert in Barcelona is part of the tour Alex Serra & The Space Crew. The crew contains dancers who dive deeply into the sounds of the music and express their interpretation of it on a physical and emotional level.

    When looking at the stage with Alex Serra singing, Totidub at his DJ table and the dancers Pau Arnal, Kenya Sauer & Irene Baeza, I realize how each of my favourite moments got bet by the next one. The Space Crew dancers express themselves by melting within the beats the musicians around them produce – it’s like there’s a whole new world opening up to me as a spectator.

    For the period of the concert, I dive into something. Into a something, that Alex calls a dream. Right after the first song he describes how tonight the sum of all our single dreams are creating together one big dream.

    Looking back, this night truly feels like a dream

    Moreover, other than a dream, this concert might count as a theatre. A contemporary dance performance. A spiritual awakening. The way a song is presented is curated in such a special way, which makes every moment of the evening worth to be remembered.

    The dancers carry us visually, Alex carries us mentally from song to song. In between, he shares with the audience some of his wise anecdotes and learnings about life.

    “Como hay una red no. Vosotros sentís esto? Que hay una red. mas allá de lo visible. que nos une a todos- se siente no? y a veces me pregunto, como se hace para poder mandar amor a esas lugares de la red que están como – podríamos decir enfermos. Si somos una red será que estamos unidos literalmente con todos todos todos. entonces si queremos como sacar a alguien de la red porque no nos cae bien es imposible sacar alguien. Todos somos una red y hay que mandar amor a todas las rincones de esa red-“

    “It’s like there is a web, isn’t it? Do you guys feel that? That there is a web. Beyond the visible. Which unites everyone. You can feel that, right? And sometimes I wonder, how to send love to the parts of the web that are – let’s say – unhealthy. If we are a web then we are literally united with everyone everyone everyone. So, if we want to remove someone from the web because we don’t get along well or whatever – that’s not possible. We are all a web and we should send love to every corner of the web.”

    What a wise man he is, I think to myself while listening to his soft and thoughtful voice.

    Every now and then, I look around me, where I can see people hugging each other. I am here on my own. So I hug myself. And my heart feels hugged by all the love around me.

    There is this great feeling of fulfillment spreading throughout all my body, when I listen to Alex’ voice and the sounds created by his friend and DJ Totidub. Flashbacks of my first concert experience with Alex Serra in Prague enter my mind. The biggest change the concert in Barcelona brings along are the three expressive dancers who interact with each other, with the audience and with the musicians. Somehow, they create a bridge: by interpreting the music in the first place, they show us how deep, meaningful and diverse musical harmonies can be.

  • An unforgettable night with Alex Serra in Prague

    An unforgettable night with Alex Serra in Prague

    “By the way, this is not a concert”

    The moment I entered the concert hall, I felt how my heart was being filled with lightness. The walls were full of colourful lights shaped as flowers, of flowers shaped as lights. Walking through the middle of the room felt like my soul was being caressed for a moment.

    Usually, when you go to a concert, you have some kind of expectation about it. You may be a great fan of the artist; have those one or two favourite songs you are especially excited about hearing live. However, some experiences are impossible to anticipate. You cannot imagine before what will happen but only reimagine after you have lived through them. And so it was with the concert by Alex Serra in the MeetFactory in Prague on the 5th of September 2025. It was the first time that the Barcelona-born artist played in the capital of Czech Republic. It was the first time for me to see him live. Listening to this music live has thrown me back to all the moments I listened to the songs. And probably, I have never been more present in a moment than when I was standing in the audience, right in front of Alex Serra performing his songs, that carry us into another world, into a world that is more real.

    I find my way towards the stage. Throughout the room there are some groups – or rather pairs – of people. There is still a lot of space to be filled. I enjoy this tranquil and at the same time loving energy that surrounds me. Looking around, I see most of the people are couples, some women seem to be on their own, just like this young girl leaning on the wall at the left side of the room. I want to be in the middle of the room, so I can feel the wholeness around me, I think to myself. I realize that, for concert conditions, it’s still pretty quiet in the room. It’s probably because there are not any remixes being played through the speakers. What we can hear is a soundtrack out of the forest, of birds and crickets chirping, of nature naturing.

    A woman walks to the middle of the stage. She builds up her microphone, putting her guitar around the neck – tonight’s support act. (Later I found out that she is a Slovakian singer, Eniesa). Just like a magnet, with her presence she pulls the audience closer to the stage. More and more people are entering the main concert hall. She starts speaking in a language that I don’t understand. I immediately feel attracted to her way of being. Her smile carries authenticity, her eyes brightness. She starts playing. In her voice I can hear that her heart is full of grace, in the whispers of her guitar I hear joy and lightness. Slowly, very slowly, bodies start moving. Maybe it’s the blood flowing faster than usual. I, too, cannot resist to gently wave my body through the air. The colour of the headlights is changing. From purple to turquoise, back to purple, then blue and red. As I look into the crowd, I get emotional, feeling enormously thankful for the universe allowing us to open up spaces like these. About two meters right from me, there is a woman dancing barefoot, her eyes closed, a smile on her face. On my left I can see the image of a family that carries more love than I could ever have imagined seeing with my eyes: father, mother and daughter are putting their arms around each other’s necks while they lean their backs towards one and another. As I see that many let themselves fall into the moment while having their eyes closed, I close mine as well. I open them. I close them. As I can’t stop to move to the music, I get dizzy when they are shut. Therefore, I prefer to watch people and to see how beautiful the artist looks on stage.

    I am already so emotionally attached. And this was only the preact. While she is building her equipment back (the microphone and the guitar), I notice there is a candle right in front of the mic stand. Its flame connects all our gazes.

    When Alex Serra, tonight’s headline act, comes on the stage, a veil of harmony is being thrown into the room. Tranquil forest sounds accompany him on his slow walk to the microphone in the middle of the stage. On his right, his guitar, and a huge DJ desk, where his friend Totidub will be doing his magic.

    “Hello”, Alex says with his voice color of rainbow, “how are you doing?”

    From the first moment on, he casts a spell on us.

    “And by the way, this is not a concert.”, he notes with a relaxed mind, “This is a transformational ritual. Together we will go on a journey. Each of us makes an intention now. And with that intention we imagine entering into a spaceship and travel through universe.”

    Alex starts playing enchanting sounds on the guitar. Then he puts it down and picks up a sound bowl. Their playings slowly end up in the melody of the song SO FREE. It seems like they are improvising, but the result is too good to be improvised. Guitar sounds, handpans and nature chirps are flirting with each other.

    I feel tears dropping from my face onto my breast. There is so much gratitude, nostalgia, happiness, and sadness lying in them. It’s especially Alex’ words before he plays the song SANA CORAZÓN (“Healthy Heart”) making me so emotional. He describes how sometimes, we tend to make ourselves tiny, we talk to ourselves as if we were not good enough. He observes this also about himself, but also about friends and family around him. With the song he shows himself that all of this is just a dream, and that through real selflove we can heal our hearts and live healthy. During the song, I hold my hands on my heart, keeping it safe and warm. The song culminates in the wise words of a female voice: 

    “Yo me amo. Yo me libero. Yo me perdono. Yo merezco ser feliz.“

    = I love myself. I liberate myself. I forgive myself. I deserve to be happy.

    The song TRANCE LIFE, which is also the name of his latest album – brings us further on our immersive journey through the universe. It takes us on a trip towards the sun. In some parts of the song he stops singing and focusses on his guitar sounds, and thus creating harmonies with Totidub’s beats. “And it don’t matter how far, you’re always coming back to the same star. And it don’t matter how far, you’re always coming back to your heart. Mmmmmh, mmmmh” – this is usually the end of that song. However, at this concert, at this transformational ritual, we all created and infinite echo of mmmh. Like an interplay of question and answer, we sing that all together, losing ourselves in a collective meditation of mmmh.

    Before he plays the next song Alex tells us a story, it’s a good night story that he invented for his one year old child. One day the sun woke up, but it was dark outside. And the sun was trying to make itself shine but it didn’t work. Years went of darkness went by, the sun was getting depressed. One day the sun looked on the sky full of stars and the moon was shining, admired by the sun. The moon turned to the sun and asked if everything’s okay. And the sun shared that it forgot how to shine. The moon laughs and says “are you silly? You know that this light of mine is a reflection of your light, right? So it’s impossible that you stop shining” from that moment the sun decided to sit on his throne in the sky and shine forever. This sparkling story was the foundation for the song LUNA. Totidub starts playing, Alex starts singing.

    Alex reminds us that we are still on this transformative journey. “I want you to feel, very deeply, what you feel right now, and send it to the bottom of who you are.”

    What I felt in that moment was a bright ray of love enlightening my soul and body. With that energy I followed along the song OUTTER SPACE and the incredibly impressing interplay of sounds the two musicians were creating together. It was not only their music but especially their positive charisma, their smiles and their eyes that filled the room with loving energy. “We love to do that. To just start to play and see what happens.”, Alex says, filled with joy from the last minutes of amazing music magic with his friend.

    It goes quiet again. And with the birds and crickets chirping Alex notes that this present moment is all we have. We have an idea of the past and of the future. But this, this is the most precious gift we have, and we can only feel it.. right now. I can barely focus on his words because I get too excited to hear him singing the song he refers to, which is AHORA (“Now”). It was the first of his songs that I discovered. It was around two years ago. I remember how I was walking through the streets of Valencia, not feeling capable of stopping listening to that song. I put it on repeat. From the moment they start playing the first sounds of the song, I smiled. It simply made me happy. I dance and smile and with listening to the sounds of the song, I want to carry the feeling of that moment to all my future nows.

    And sometimes Alex wonders, what is this world? He found that humans are just imagining their worlds. “It’s just a mirror of my internal world.” He calls it a superpower we all have. “Life is a miracle.”

    He comes down to the audience and walks into the middle of the room. “With our spaceship we now landed back on earth, and we need to plant the seeds that make us connect with earth.”

    He asks for four volunteers: “Who wants to act?”

    The four people stand around him in a circle, as he tells them, they come closer. Then he animates all of us to come closer and hug each other. Through that hugging, we are all connected by energy. In the middle there is him, and there is this tunnel through which the energy enters and goes back to universe. I don’t know the people around me, but I share love with them. Alex gently invites us to enjoy this moment to the fullest, this moment of deep connection with others, of sharing energy and love. 

    And thus, I come to realize, that we are all one.

  • Singing mantras in community – a Kirtan night at Meistersingerhalle Nürnberg

    Singing mantras in community – a Kirtan night at Meistersingerhalle Nürnberg

    Uniting hearts and souls through voice

    Listening to Mantras gives me a deep feeling of happiness, of joy and light, of gratitude and hope. This emotion gets even bigger when shared with people. It gets more intense when you yourself are the one to sing the Mantra. Repeating the same phrases on and on allows a unique sense of deep diving into a feeling that you share with all the people in the room.

    A Mantra is a spiritual sound, a word or a phrase from the Sanskrit language that touches our mind and soul when we sing it or listen to it. Singing Mantras in community is called Kirtan.

    Through participating in Kirtan events I can even feel the powerful energies among the audience. Come and join me on my journey through a Kirtan music night with Sacred Forest in a small room of the Meistersingerhalle Nürnberg.

    Before entering the concert room, everyone puts their jackets and shoes off. It makes me feel lighter and more grounded. Grounded. It’s what the people in the room seem to feel like. They made themselves comfortable on the floor, some closer and others more apart from each other.

    The musicians arrive with a little delay. I use the waiting time for arriving emotionally in the room by letting the other people’s energies arrive at my soul. Though I don’t know anyone there, I feel comfortable and somehow familiar with everyone around me.

    The night begins with a small introduction to Kirtan. The soft spoken voices of the woman and the man in the front already soak me into a meditative state. We start singing along the words the man and the woman give us. Together we create a powerful choir, manifesting love and the good coming towards us.

    Haribol
    Nitai-Gaur
    Nitai-Gaur
    Haribol


    Hare Krishna
    Hare Krishna
    Krishna
    Krishna
    Hare Hare
    Hare Rama
    Hare Rama
    Rama Rama
    Hare Hare

    Gauranga
    Haribol

    Nitai-Gauranga
    Haribol

    When the song gets more powerful, I see how some people in the back of the room stand up to dance. They start moving their bodies gently to the rhythms of the mantras. Others seem to feel them moving and stand up as well. One in the right side of the room, another one on the left and another one in the middle.

    I feel so comfortable in my position that I don’t feel ready to get up yet. Thus, at some point I feel hugged by the dancing people. Which is an amazing feeling.

    When the mantras gets more and more powerful, I can’t keep myself seated any longer. I dissolve within the dancing crowd and my soul is being nurtured with love.

  • Three traditional rules for a respectful Fado audience

    Three traditional rules for a respectful Fado audience

    Chapter 16: How to listen the right way

    The most authentic Fado show in the city – is a promotion slogan that you will read so many times in one place that you wonder: Which of them tells the truth? And what does authentic Fado really mean? A key part of it is the strong connection to tradition, which is mirrored in the long history of Fado.

    Traditionally, Fado is sung in restaurants, combined with gastronomy. And thus, some artists, as Sara Paixão and Pedro Moutinho, find that only in the Fado houses one can experience authentic Fado. Nevertheless, it happens that the food in the restaurants keeps people from appreciating the music as much as it deserves to be. This is why Fado singer Nadine prefers to perform at concert venues. 

    Fado house or concert venue?

    Filipa Biscia plays at different kinds of venues. She likes performing in both restaurants as well as at other evening shows. A night in a Fado house is more exhausting for her as an artist, but she also admits that it’s the more authentic way of experiencing Fado. However, she thinks that a concert outside a Fado house is an authentic experience, too – as long as the artists are authentic fadistas.

    In the end, it depends on the personality of the listeners which kind of experience might be best for them. There is red and white wine, some prefer dry, and others prefer a fruity one. On the same note, there are different tastes of Fado.

    Each of the “chefs” – the Fado singers – has their own way of creating a taste and each guest has their individual preferences. Thus, it is impossible to describe a Fado show objectively as a good or a bad experience. It might have been good or bad for oneself, but there will always be someone who would think the contrary. Some people might prefer a female over a male voice, prefer an A Capella show over a performance with microphone. 

    Also, the ‘way of tasting’, may vary among the Fado audience. In all the individuality we shouldn’t forget some manners of behavior everyone should stick to. 

    Tradition no. 1: Don’t try to understand, just feel.

    Rather than understanding each part of the lyrics, the sparkle of Fado lies in the feelings vibrating through a room when it’s sung. The feelings sent out from the musicians as well as the feelings of the listeners. Therefore, a fadista shouldn’t feel the need to explain a song, it should simply be felt. Let the magic happen.

    Tradition no. 2: Respect the silence.

    Restaurants are places to eat, to laugh and to talk – in Fado restaurants, there are the sets of Fado determining the structure of a dinner night. And while the artists present Fado, everyone else got to be quiet – it’s the only way to listen well. In most fado houses silence during the Fado is being respected. However, there are always exceptions, depending on the restaurant and the audience. An example out of my ‘fado diary’:

    Somehow accidently, I step into the Tasca de Noticias restaurant, located in the Bairro Alto. It’s one of those places that tries to attract tourists with promoting “live Fado performances”. I enter without any expectation, in the need for water and some sweet dessert. The waitress is super friendly. The problem is that she is friendly even when the Fado is played. I feel like doing something illegal when I talk to her after she came up to me to take my order. Even guitar player and singer Luis Tomar, who plays on that evening, tells me that he does not consider this a real Fado house. After having played all around the world, he is at the end of his career, thus he doesn’t have high expectations on the space he plays. He still shares his doubts to the waiters, but they are more focused on being kind to each guest.

    My individual experience

    Therefore, Tasca de Noticias a good place to have dinner. The Fado played there is good too. But the ambient of the restaurant doesn’t respect the Fado tradition in the right way.

    Tradition no. 3: Listen with your ears, see with your eyes

    When experiencing special moments, it has become a usual pattern of humans to take out their phone and take a photo or a video of the scene happening around them. This kind of behavior shifts our mental focus from perceiving the presence with one’s own senses to the effort of getting the best picture out of the moment. People want proof of having been there, but the problem is that those people might disturb those who keep saving their memories in their souls – it happened to me, in one of the most famous Fado venues in Lisbon. 

    Located in an almost majestic position, Café Luso overlooks the Rua do Norte of Bairro Alto. “Like a dining room of a king’s palace” are the first words in my notes. It’s the piano in the entry hall, the high ceilings, the candlelight on the walls behind the Fado musicians that make this room look so majestic. Also, in addition to the guitars there is a Cello adding a little extra point to the Fado in this venue. I sit on a small table right next to the bar, in front of me are two rows of tables. At their end, there is the musicians’ space. I only have a few seconds to admire the great Cello until a man on the table in front of mine stands up from his chair – he moves to the middle, rises both his arms with the phone in his hand. As he sits down, I see how he reviews the pictures he has taken before. They still don’t seem to be good enough, as he keeps on taking pictures, standing up and sitting down again. I cannot believe his audacity to behave that way. He makes it impossible for me to focus on the Fado happening in the front.

    My individual experience

    In the break before the last Fado set I overhear a conversation between some young women who share their amazement about the night, which has been their first Fado experience, with one of the organizers at the restaurant. He explains to them that according to a Portuguese saying they themselves have transformed into fadistas only through listening well to it (“E tao Fadista quem Canta Como quem sabe Escutar”). And it makes me think again of the man taking pictures, who has not been able to listen well, thus doesn’t deserve the title of a fadista…

    Let the magic happen

    Of course, it is nice to keep a memory together with a souvenir in our camera roll. However, when it comes to live music, it is not our phone but rather our heart that will keep the energy and the memories from the experience in the best way possible. To keep the listeners experiencing a Fado show with their soul rather than through the camera lenses and in respect to the artists, some Fado houses don’t allow to take videos or even photos during the performance. Nevertheless, in many restaurants it is still officially allowed; and that’s okay, as long as one does it consciously and with respect towards the musicians and other guests.